Turkey A
1 13-pound turkey became:
- 2 trays with a turkey breast and a drumstick each, topped with peach chutney, slow baked over diced sweet potatoes* and chickpeas
- 1 tray of turkey thighs and tail, topped with Shepherd Herb Mix, slow baked over minced onion*, bits of sourdough bread, and a bit of sage* salt
- 1 tray of turkey wings, topped with Xinjian Spice Mix, slow baked over minced onion*, sliced carrots*, diced golden beets*, and the end of the peach chutney
- 1 pot of turkey soup, using the frame and the neck, also leeks*, carrots*, sweet potato*, and purple-top turnips*
- 1 pan of turkey gribenes, some put away for later, the rest sauted with onion*, spinach*, potato, and the bits of turkey left from a rather imperfect carving job on a not-fully-defrosted bird
* locally sourced
(“tray” here means 9x13 foil pan)
still resting LIKE A POTATO, with a slight lapse yesterday
Saori WX60
Note that this loom is lightweight, my preference (~30 lbs) but that means it will "travel" if you treadle hard. Likewise, by default it's only two harnesses. I unironically love plainweave so this is fine for my use case but if you have more complex weaving in mind, maybe not so much. (You can buy a spendy attachment to convert it to four harnesses, but...)
( Read more... )I haven't yet tested it, but the design of the "ready-made warp" tabletop system is fiendishly clever. Frankly, warping is potentially so annoying that it was worth the cost. I am considering a Frankenstein's monster modification that MIGHT make warping easier as well but I haven't yet tested it.

emotional support spinning
I still love the wallaby blend best, but this is great too.

Goodbye, pennies
I wonder whether this will make pennies more collectible, for the numismatists who are enthusiastic about them? I have a *lot* of pennies I’ve found in the streets in the last years, not brought to either of the financial institutions I bank at, because one doesn’t do coins (!!!), while the other switched from a free coin counting machine for customers to one that charges some percent (I’m far too cheap to pay for the privilege of having the coins counted, but haven’t yet picked up the paper sleeves needed to roll the coins myself).
writers beware: Must Read Magazines (currently: F&SF, Analog, Asimov's)
On August 12, 1971, my 16-year-old self mailed the first story I ever wrote off on its first submission. The publication I hoped would buy that story, my dream market, was The Magazine of Fantasy & Science Fiction.
[...]
...earlier this week, after what by my count were 23 back and forth emails between me and the new owners of F&SF as I attempted to transform that initial boilerplate contract into something acceptable, I had no choice other than to walk away from my dream.
Let me explain why.
But before I do, I want to preface this by making it clear I have nothing but good things to say about editor Sheree Renée Thomas. Her words of praise as she accepted this story moved me greatly, and her perceptive comments and suggested tweaks ably demonstrated her strengths as an editor. It breaks my heart to disappoint her by pulling a story which was intended to appear in the next issue of F&SF. But, alas, I must.
Short version: Must Read Magazines offers garbage contracts. I'm not in contracts or law, but I started in sf/f short stories 20+ years ago and IMO Edelman correctly refused to sign.
Based on this account and others, I would not go near Must Read Magazines (or F&SF, Asimov's, Analog under their current ownership) with a 200-foot anaconda, let alone a 20-foot pole.
idle memories (while resting LIKE A POTATO)
Anyone else remembering points of departure to Mike-spiels is invited, nay, implored, to post them here.
Sincerely,
Elise,
who is still recuperating from COVID by RESTING LIKE A POTATO
* Yes, the attic of which Lois McMaster Bujold said, at first sight, "It really IS the attics of Vorkosigan House."
Ludlow and the River Teme
One of the river's several weirs:
( See more pics: )
(no subject)
We borrowed Valerie Sainte-Agathe from SF Girls' Choir in preparation for this performance. Valerie breaks things down differently from Ash, but I like how she pushes us in certain ways that make us realize we know things better than we think we do; it's a confidence builder. Of course, that's a double-edged sword when it's the case where you actually don't know things as well as you know you need to, but I think overall most of us are benefiting from that presumption of a musical capability baseline, that we can read notes and lyrics at the same time and don't always have to start with one or the other. The occasional singing in mixed formation; the times when she tells us to just put the sheet music down and trust our memory.
We did a "retreat" a couple of weekends ago to basically cram in the equivalent of two additional rehearsals, and I think it helped to just run almost everything in order, to realize that yes, we actually have touched on all of the sections where we sing, and now it's just a matter of linking them together into one performance. (And, um, warming up sufficiently; some of my sopranos have definitely not been feeling warmed up enough for some of the high notes we've got in the Verdi; apparently the tenors have a similar plaint.)
Rehearsals Wednesday and Thursday; performance Friday night, along with a world premiere from Cava Menzies to open the show. I believe there are still tickets available for anyone local and interested. Guess I'd better dig out the concert blacks soon and make sure they're clean :) And figure out a lighter-weight folder for the Verdi, lord is the new edition heavy, but it still needs to be in a black music folder to blend in!
(Note to self: obviously it won't arrive in time for Verdi, but if you're thinking about trying to find a lighter-weight concert top before Break Bread, look at Blackstrad? Occasionally, the algorithm deposits actually relevant things in my feed. I'm currently intrigued by their Vesper top and their Elektra top, though I suspect given dress code the Vesper's a better option. There's even a petite section!)
And Break Bread will be upon us faster than a blink: rehearsal next week, break for Thanksgiving, two more regular rehearsals, and then dress rehearsal and performance all on Sunday, December 15. I'd better hurry up and order my music for our February concert, haven't done that yet, naughty section leader!
November 2025 Ink and fiber thoughts
Going with a spooky kitty theme this month, since I had a pair of good spooky kitty sticker sheets from last year’s stickii Halloween countdown. (I didn’t get this years halloween countdown because I still had plenty of spooky stickers.)

Stickers
- Fountain Pen ghost cats by Yudoart (from stickii halloween last year)
- Witchy sticker sheet by November Rush (from stickii halloween last year)
- MU “print on stickers” (transfers, really)
- Droplets sheet by Starriesena (also from stickii)
Pens and Ink
- Pelikan Pura <b> with Diamine Baltic Breeze (blue with copper? sparkle)
- Pilot Metropolitan <cm> with Diamine Twilight (dark grey)
- Monteverde Ritma <flex> with Van Dieman’s Last Light (purple-blue)
- Pilot E95S <m> with Sailor Mayo Asagiri (pink)
The Van Dieman’s Last Light is a new sample I picked up from their line of two-tone inks. I actually really like the way this ink works other than the fact that I keep thinking it’s too light to read while I’m writing but it does dry darker as so many purple-ish inks do. It’s especially nice in this particular flex nib, which basically lets you pour out more ink with bit of extra pressure, and a bit more ink in this case gets more of the dual colour effect.
Using the Metropolitan right after using the Maple pen last month has cemented that the Metropolitan is significantly easier on my hands, so my ranking continues to stand.
Thoughts on last month’s selections
Some thoughts on what worked and what didn’t from last month. The architect nib in that maple pen is very fun to use but definitely tires my hands out. Not sure if that’s primarily due to the nib or it’s also the heavier and larger pen. It worked really well with Southwest Sunset except that I’d forgotten that this particular ink leaves little dots that take forever to dry, so I smeared it a few times. I had this trouble with the other noodler’s ink I had as well, and wound up giving the rest of that sample away. I like the colours of Southwest Sunset enough that I’m keeping my last tiny bit of sample but I’ll try to remember that it’s kind of annoying to use even if the shading is super pretty.
The combo of Wearingeul Frankenstein and my TWSBI Eco worked, but it was clear that all the shimmer was getting stuck in the feed and very little made it to the page, so next time that ink goes in the Pelikan to see if I can get a better effect. It is really nice without the shimmer, though, so not too sad.
Using KWZ All that Glitters Firecracker reminded me how much I enjoy their easy to use shimmers that work in all my pens. Since they’re only $10 per 30ml bottle, I just went ahead and bought the two colours I didn’t have. I don’t think they’re as pretty as the two I bought first, but I think I’ll enjoy using them anyhow!
The Pelikan Pura made Diamine Pine Needle work much better than last time I used it. Very happy with how much the Pura improves my ink collection!
The Leuchtturm1917 is working well. The paper definitely is a bit thinner so I found myself rearranging inks so the dark purple Frankenstein was mostly used on the left hand page and I wasn’t writing on something with seriously visible ghosting. I don’t find it too disruptive but it’s there and I notice and think about it regularly. It’s been nice enough for writing, though — not too slow to dry or anything. I do really love the pre-numbered pages and the way the top and bottom have wider margins, though, so the layout is great. I think my perfect notebook would be this dot grid page layout with thicker paper in a smaller page count, but I’ve still got a small collection of notebooks to try so maybe I’ll find something I enjoy even more.
Pen collection changes

I passed 3 pens on to a friend this month. From left to right:
Jinhao 100 <fude>: This one has to be held at a steep angle for the width of line I want, which made it not super useful for regular use since my normal writing angle produced very thick lines. It’s probably tuned for calligraphy? It would have been nice for making cards or something, but I seldom do that. It’s a pretty pen but it really wasn’t working for me, and I have a few other fudes in my collection. My friend is a lefty and it worked better for her, so off it goes.
Noodler’s Creaper <Flex>: This is actually the only fountain pen I’ve ever had which I hated the feel of the pen body rather than the nib. It constantly gave me the vibe of one of those cheap conference giveaway pens that didn’t quite fit together right. No idea why, it wasn’t actually loose, maybe it was something about the shape. But it’s been sitting in a cup because I don’t want to use it, so I’m glad to pass it along where it might get used!
Hongdian M1 <ef>: The extra fine nib in this felt like I was writing with a toothpick, scratchy and too small. Actually, I think I’ve painted with toothpicks that I liked better than this. I’m not a huge extra fine fan, but the other ones I have don’t feel as bad as this one did to me. Could have replaced the nib but I decided it was better to give it away.
I’d intended to reduce my pen collection by not replacing these, but then Fountain Pen Day sales happened and I picked up a couple of cheaper pens on my wish list. A paragon of restraint I am not, this month. Which is fine, my unemployment can cover a few pens and inks if a bit of retail therapy is helping me survive a month of solo parenting and all the preparation for an international move and dealing with job interview stuff. I’m still feeling less burned out as a whole, but the past few weeks have been A Lot.
Countdown time
In other related news: I wound up buying both the Stickii Advent and the Diamine Inkvent calendar.
The stickers were an easy choice: I’ve used most of last year’s, and with my regular usage at around 2.5 sheets per month a December countdown isn’t so many stickers that it’s going to overwhelm me for the year. Unlike the halloween collection, these aren’t all wintery so I used last year’s year-round easily. I love picking out stickers and matching inks every month, and the stickii ones are a bit thinner, smaller and more convenient for journal use than some of the others I get from individual artists. I’d probably like their subscription club too but that one is more stickers than I use per month so this fits my life better plus I get a cute binder to store my sheets in. I use last year’s a lot.
The inkvent calendar was a harder choice: I use maybe 2ml of ink in the average month, so I strongly debated just making myself a 12-sample pack to enjoy over the holidays which would match up better with my ink usage. But then I kind of overwhelmed myself trying to pick 12 colours and the ones I chose kept going out of stock and I realized I wasn’t actually having that much fun with that plan. So in the end I decided to just get the Inkvent set and stop fussing over picking things. It’s “too much ink” but I really loved the experience last year and the excuse to swatch and use a new ink every day. And I know I won’t be sad about having more colours to use in my monthly palettes, since I know I sometimes struggle with finding something to match my chosen stickers. In hindsight, I should have just planned to trade ink samples with my friend and use those, but I didn’t think to do an ink swap until nearly a month after I ordered the inkvent calendar. Whoops.
Not sure how I feel about the sparkle-sheen gimmick for Inkvent but now that I’ve got the Pelican pens that seem able to take advantage of my shimmer inks, I’m sure they’ll get used.
Also, it’s got me thinking about painting with fountain pen inks as a way to enjoy them more. I’ve been doing a bunch of watercolour painting by going through lessons in various books I’ve gotten from the library, and it’s been really pleasant and I’m starting to get some paintings I’m proud of even if they’re just duplicating the exercises. Inks are more complicated pigments than I’m used to using but I can learn and experiment. So ink painting might go on next year’s “fiber goals” though it’s a little less fiber-y.Speaking of fiber, I skipped out on bigger yarn advents but did get the 8 day Chanukah set from ChemKnits again because I love supporting her videos and 8 minis isn’t too much yarn. I haven’t always knit with these right away because I’m usually doing advent stuff that starts earlier in the month, but since this will be among the yarns I have with me when I get on the plane in December, it makes sense to plan some socks in January or something. I have to actually plan a few months of projects in advance so I have the right yarns and tools on hand during the move. I usually do have rough plans of what I want to knit next, but it’s definitely different when almost all my yarn and half my tools will be packed and on a truck! So far I’ve got a half formed plan to do Grand Opening with a mini set from my stash, but I’ll figure out more soon!
weaving underway!
(added a very short video demonstrating Bad Weaving)


The weft yarn is my two-ply handspun on an Ashford Traveller: wallaby-merino-cashmere-silk blend from Ixchel.
...warping is indeed 99.99% of the physical work, moreso than with a pin loom or rigid heddle loom! After that, the physical work of weaving (plainweave) is stupidly easy.
Joe is getting the world's jankiest tiny blanket out of this. :) One has to start somewhere!
Saori WX60 floor loom: warped!

I'm waiting for my intended handspun weft yarn to finish drying in the sun outside before setting up my shuttle. :)
spicy hazelnut ginger bars; chocolate toffee cookies; blender carrot cake; furikake marshmallow bars
For choir baking this week, I started with Nik Sharma's Spicy Chocolate Chip Hazelnut Cookies, and King Arthur's recommendations for making drop cookies into bars.
( the process of riffage )
( spicy hazelnut ginger bars )
*
I also made Smitten Kitchen's Chocolate Toffee Cookies for the first time in awhile.
( everything is riffs )
( chocolate toffee cookies, modernized )
*
I had a glut of carrots, so I tweaked Serious Eats' Brazilian Carrot Cake recipe to fit a 9x9 pan.
( riff notes )
( carrot cake in a blender )
*
Cramming one last recipe riff in here while I'm thinking about it: yet another choir bake, furikake marshmallow bars. Basically crispy rice cereal treats with added furikake, black sesame, and a little sesame oil.
( furikake marshmallow bars )
In Defense of Alchemy [sci/chem, hist]
SciShow did a collab with Tom Lum and ESOTERICA and delivered a deep dive into the history of the relationship of chemistry and alchemy and the politicization of the distinction between the two: "In Defense of Alchemy" (2025 Oct 17).
I cannot tell you how much I loved this and what a happy surprise this was. It ties into a whole bunch of other things I passionately want to tell you about that have to do with epistemology, science, and politics (and early music) but I didn't expect to be able to tie chemistry/alchemy in to it because I had neither the chops nor the time to do so. But now, some one else has done this valuable work and tied it all up with a bow for me. I'm thrilled.
Please enjoy: 45 transfiguring minutes about the history of alchemy and chemistry and what you were probably told about it and how it is wrong.
Photos: Lake Charleston
( Walk with me ... )
Update, Or: J? Where the hell is the j? [me, heath]
Meanwhile, I have also finally started having a medical problem I've been anticipating ever since my back went wonky three years ago: my wrists have finally started crapping out. Because I cannot tolerate sitting for long, I have been using my laptop on a rig that holds it over me on my bed. But this means I haven't been using my ergonomic keyboard because it's not compatible with this rig. I'm honestly surprised it's taken this long for my wrists to burst into flames again, but HTML and other coding has always been harder on my arms than simple text, and the research and writing I've been doing on Latin American geopolitics has been a lot of that. And while I can use dictation for text*, it's useless for HTML or anything that involves a lot of cut-and-paste. Consequently, I've gotten really behind on all my writing, both here and my clinical notes.
So I ordered a NocFree split wireless keyboard in hopes that it will be gentler on my arms. It arrived last night, and I have been relearning how to touch type, only with my arms at my side and absolutely not being able to see the keyboard.
You would not believe how long it took me to type this, but it's all slowly coming back. Also, I feel the need to share: I'm doing this in emacs. Which feels like a bit of a high wire act, because errors involving meta keys could, I dunno, reformat my hard drive or crash the electrical grid.
Here's hoping I get the hang of this before I break the backspace key from overuse or accidentally launch a preemptive nuclear strike on Russia.
* If, you know, I don't too dearly value my sanity.
catten yarn

Not much yet as it's a slightly tricky spin, mostly in that one has to pay attention instead of watching anime while spinning on inattentive mode. :D It feels different of course (silkier/floofier), but the spinning technique, like huacaya alpaca, is surprisingly similar to cotton in some ways!
BTW,
emotional support spinning

Happily, there's more of this so I can spin up more for a 2-ply. Destined for weft for the Saori loom - I have promised Joe a smol, semifunctional blanket. :3


